Not really. I love Mr Punch, and The Ocean at the End of the Lane, in a particular way, because they are both very personal. I love Sandman #50, “Ramadan”. I love Sandman: Overture but you’d need to read the whole of Sandman and Endless Nights before it, and then read them again after reading it, to see why.
how many open relationships are you away from confronting your issues with intimacy and self image as a queer person ? or when are you going to analyze how the emotional unavailability you are content with or even pride yourself on is indicative of deeper issues that need to be worked out and are more tangled than just a lifestyle choice and preference for a sex life . . sex is obviously not inherently wrong but for many queer people it’s filled with unhealthy habits and damaging roles disguised as lifestyle choices that only get reinforced by liberal fags online that will label your sexuality some convoluted 12 syllable bullshit instead of realizing that it’s not okay to only be able to fuck strangers and burn down any connection in sight. let’s open that can of worms before it becomes too late ! what socialization or trauma led to these habits ? what have u dealt with during your development that affected u this way ? this is mostly an observation of the patterns i’ve seen in countless amab queer and trans people. it’s a cycle that gets labeled in contemporary circles and therefore validated instead of assessed and dismantled
Music to write, roleplay, or study to! These playlists are works in progress and are continuously growing and improving. Titled after like-themed action movie and game music, the playlists each have their own personality, and encourage different moods or activity levels. Most music is from soundtracks. The calmest playlists, Temple Ruins and Party Camp, are useful for getting into the mood. This music is less distracting. Once your pace is set, or if you want to get in the mood for an action scene, Underworld or Boss Fight are the playlists for you. Tavern Nights is what it sounds like, full of highs and lows but can be distracting. Field Music is right in the middle, with lots of color.
All playlists are available to follow on Spotify, and can also be accessed via the web player with a free Spotify account. Just click on the [listen] for the link. Please do not hesitate to suggest music/changes to me, either here or on Spotify.
Title: Temple Ruins Mood: tense, eerie, dark and scary Volume: quiet, few musical swells Action: creeping through a dark ruin and avoiding spiders Instruments: minimal orchestral Lyrics: few (non-English)
Title: Party Camp Mood: calm, mysterious, romantic Volume: soft, somewhat dynamic Action: resting after a long day of travel Instruments: minimal orchestral
Lyrics: few (mostly non-English)
Title: Field Music Mood: cheerful, adventurous, vigilant Volume: low to medium, dynamic Action: adventuring with your companions Instruments: orchestral Lyrics: few (non-English)
Title: Tavern Nights Mood: cheerful as well as sombre Volume: medium to high, dynamic Action: eating and drinking with the locals Instruments: mainly guitar and fiddle, some harp Lyrics: yes (including English)
Title: Underworld Mood: terra incognita, on the hunt, betrayal Volume: mid-low with many dynamic moments Action: venturing into the land of demons and the undead Instruments: orchestral Lyrics: yes (non-English)
Also my headcanon is that ‘morrowind’ was originally a nord/aldmeris term for the far east and stemmed from the myth that “time blows like wind from west to east, so that yesterday’s sea lies in the west and tomorrow’s wind lies in the east”
Today’s aesthetic: comic book and video game protagonists wearing ammo belts whose contents clearly don’t correspond to the calibre of any weapon they actually use.
maybe they just carry them just in case someone else will need them